The Fringe Festival has an addictive quality. Patrons gorge on theatre and artists riff off each others’ work. And just like the patrons, artists can’t wait for the Fringe—that’s why there’s now a series of Fringe Cabarets! Created by Fringe alumni, this variety show includes a mix of sketch, storytelling, dance, burlesque, clown, and more with different themes and artists at every performance including Jeff Leard, Sydney Hayduk, Fraz Wiest, Tristan Helgason, Andrew Bailey, Tara Travis, Jayson McDonald, Cory Thibert, Linnea Gwiazda, Valerie Cotic, David C. Jones, Natalie Watson, and more!
Zee Zee Theatre
Based on the tragic murder of gay 15-year-old Lawrence King, the critically acclaimed, Jessie-nominated My Funny Valentine examines the fracturing of opinion in the face of this horrendous act and explores the ripple effects of such hate on a community. Presented as a series of monologues exploring each character’s relationship to the crime, an unnamed character known only as the Collector embodies seven people on the fringes of the murder as he struggles to make sense of a gruesome act provoked by a seemingly innocent gesture. The play invites the audience to search through the confusing and chaotic implications of this death to find their own humanity.
“A play’s premiere is like a birth. My Funny Valentine is a beautiful baby.” —Colin Thomas, the Georgia Straight
“An exceptionally beautiful piece of work…meticulously scripted characters shot through with contradictions…simply superb.” —Jo Ledingham, Vancouver Courier
“Considering the subject matter, My Funny Valentine has more laughs than you’d expect [but] sadly, Deveau’s play is likely to remain topical for years to come.” —Mark Leiren-Young, The Vancouver Sun
Contains Coarse Language
2-for-1 Preview on February 7 at 8:00pm
February 7 – 18, 2018
The Dance Centre
Little Mountain Lion
After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of The Simpsons episode “Cape Feare” entirely from memory. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post-apocalyptic society, sincerely trying to hold onto its past. 75 years later, these are the myths and legends from which new forms of performance are created. A paean to live theatre and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another.
“Anne Washburn’s hypnotic, sly and fiendishly insinuating Mr. Burns, A Post-Electric Play ... does the improbable: It makes the end of civilization seem like the perfect time to create glowing objects of wonder and beauty.” —Time Out New York
Pay What You Can Preview on April 3, 2017.
April 3-21, 2018